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Eugen Schüfftan
Born:
1893-07-21
From:
Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Camera
Chappaqua
The Doctor Speaks Out
Three Rooms in Manhattan
The Big Scare
Lilith
The Virgins
Something Wild
The Hustler
Eyes Without a Face
A Couple
The Bloody Brood
Head Against the Wall
The First Night
A Parisian in Rome
The Venus of Tivoli
The Crimson Curtain
Mina de Vanghel
The Respectful Prostitute
Gunman in the Streets
Women in the Night
A Scandal in Paris
Club Havana
Bluebeard
Summer Storm