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Robert Fischer
Born:
1954-10-02
From:
Greven, Germany
Directing
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Jack Arnold Remembers The Incredible Shrinking Man
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
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Life As It Is: Miloš Forman on Miloš Forman
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
The Beast Inside: Creating 'Wolf'
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G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
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G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Program Notes: An Introduction To The Last Detail By Alexander Payne
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Traveling Roadshow
Outer Movement, Inner Movement
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Love Letters
Return to Beethoven Street: Sam Fuller in Germany
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The Poet and the Filmmaker: Volker Schlöndorff on Baal
Writing
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
The Beast Inside: Creating 'Wolf'
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Return to Beethoven Street: Sam Fuller in Germany
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The Poet and the Filmmaker: Volker Schlöndorff on Baal
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Perspectives on Othello: Joseph McBride on Orson Welles
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Swan Song: The Story of Billy Wilder's Fedora
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Touching Death: Alejandro Amenábar on 'Tesis'
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Ted Kotcheff's Gourmet Cinema
'Deep End': Remembering the Deleted Scenes
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
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Before Taking Off: Milos Forman’s Road to America
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Making an American Movie
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Erinnerungen an 'Väter und Söhne'
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A Tribute to Douglas Sirk by Allison Anders
Production
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Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
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Weimar on the Pacific
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Dietrich Icon
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Homay King on 'Shanghai Express'
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Hans Fromm on 'Phoenix'
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
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The Poet and the Filmmaker: Volker Schlöndorff on Baal
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Perspectives on Othello: Joseph McBride on Orson Welles
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Touching Death: Alejandro Amenábar on 'Tesis'
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Ted Kotcheff's Gourmet Cinema
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Making an American Movie
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Erinnerungen an 'Väter und Söhne'
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Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Working with François Truffaut: Nestor Almendros, Director of Photography
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A Tribute to Douglas Sirk by Allison Anders
Camera
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Program Notes: An Introduction To The Last Detail By Alexander Payne
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Touching Death: Alejandro Amenábar on 'Tesis'
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Making an American Movie
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Editing
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
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Budd Boetticher on the Ranown Cycle
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Hans Fromm on 'Phoenix'
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
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Love Letters
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The Poet and the Filmmaker: Volker Schlöndorff on Baal
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Perspectives on Othello: Joseph McBride on Orson Welles
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Touching Death: Alejandro Amenábar on 'Tesis'
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
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Ted Kotcheff's Gourmet Cinema
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Making an American Movie
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Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Working with François Truffaut: Nestor Almendros, Director of Photography
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A Tribute to Douglas Sirk by Allison Anders
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
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Acting for Douglas Sirk
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Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
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Working with Max Ophuls: Tony Aboyantz, Assistant Director
Sound
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The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
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Making an American Movie
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"